2023 ZINE The witch's skin. Self-publishing. Available in the store of the Ground Solyanka gallery, Moscow and the online-store Ground ZINE. Also presented in the library of the Garage Museum of Contemporary Art
2022 Learned, but forgot (summer assignments), publishing house Astrel-SPb, #coolschool series
2021 Koschei's birthday, publishing house Astrel-SPb, Little bedtime stories series
2021 Unicorn for a total princess, publishing house Astrel-SPb, Little bedtime stories series
2021 Silence at the back desk!, publishing house Astrel-SPb, #coolschool series
2021 Dinosaurs are playing in the yard, publishing house Astrel-SPb, Little bedtime stories series
2022 Learned, but forgot (summer assignments), publishing house Astrel-SPb, #coolschool series
2021 Koschei's birthday, publishing house Astrel-SPb, Little bedtime stories series
2021 Unicorn for a total princess, publishing house Astrel-SPb, Little bedtime stories series
2021 Silence at the back desk!, publishing house Astrel-SPb, #coolschool series
2021 Dinosaurs are playing in the yard, publishing house Astrel-SPb, Little bedtime stories series
Book illustrations
2025 Finalist of the 12th Hiii Illustration International Awards (2024)
2025 Group exhibition Monsters, SPACE13 gallery, Samara
2024 International Independent Festival for Book Illustration and Visual Literature MORS, Moscow
2024 Restaurant-gallery Uzory, Moscow
2024 Booker coffee, Krasnodar
2023 Online gallery of Tatyana Ivankova’s painting workshop Radiopaint
2023 Ground Solyanka ZINE Fest, Moscow
2023 Selfpub Festival ZINE-ZINE!, Khabarovsk
2023 Zine and Photobook Festiva NIZINA, St. Petersburg
2025 Group exhibition Monsters, SPACE13 gallery, Samara
2024 International Independent Festival for Book Illustration and Visual Literature MORS, Moscow
2024 Restaurant-gallery Uzory, Moscow
2024 Booker coffee, Krasnodar
2023 Online gallery of Tatyana Ivankova’s painting workshop Radiopaint
2023 Ground Solyanka ZINE Fest, Moscow
2023 Selfpub Festival ZINE-ZINE!, Khabarovsk
2023 Zine and Photobook Festiva NIZINA, St. Petersburg
EXHIBITIONS
Paintings, graphics, illustrations
2024, 2023 Painting workshop Radiopaint by Tatyana Ivankova
2022-2023 Illustration program (online course), British Higher School of Art and Design. Curators Victor Melamed and Tatyana Ivankova. Diploma with honors, Certificate of professional development
2005-2010 KubSU, Faculty of Economics (profile World Economy), Diploma with honors
2022-2023 Illustration program (online course), British Higher School of Art and Design. Curators Victor Melamed and Tatyana Ivankova. Diploma with honors, Certificate of professional development
2005-2010 KubSU, Faculty of Economics (profile World Economy), Diploma with honors
EDUCATION
Marina Dubich
I was born and live in the city of Krasnodar. I specialize in painting, illustration, graphics and design. I am a crazy flower girl, who grows a jungle at home.
In my works the leading role is usually given to the literary component, with the plastic idea adapting to it.
My art is escapist. I created a world called Honey Postapocalypse and successfully isolate myself in it through paintings and graphics. This world is safe, warm and sticky. It is inhabited by various fictional creatures: witches, squirrels, all sorts of evil spirits. They are imperfect but cute in their own way.
When painting, I like to combine different techniques. Rivers of paint solvents make their way through oil mountains and scratched prairies. I often give preference to strong, bright colors.
For graphics I use a tablet, immersing myself in work for many hours in a row. I slowly and tediously draw textures and create stories. For me, this process is capturing an idea, conveying black and white photographs from an imaginary world.
The purpose of my work is exploring the good and evil, light and darkness in humans. Through my art I reflect on accepting all the possible sides in others and myself.
My art is escapist. I created a world called Honey Postapocalypse and successfully isolate myself in it through paintings and graphics. This world is safe, warm and sticky. It is inhabited by various fictional creatures: witches, squirrels, all sorts of evil spirits. They are imperfect but cute in their own way.
When painting, I like to combine different techniques. Rivers of paint solvents make their way through oil mountains and scratched prairies. I often give preference to strong, bright colors.
For graphics I use a tablet, immersing myself in work for many hours in a row. I slowly and tediously draw textures and create stories. For me, this process is capturing an idea, conveying black and white photographs from an imaginary world.
The purpose of my work is exploring the good and evil, light and darkness in humans. Through my art I reflect on accepting all the possible sides in others and myself.
